Thus, where a traditional epic will end with an invocation to pathos after the emotional climax, a mock epic will end with a reminder to the reader that the entire substance of the poem is of little consequence. (vi)However, one distinct feature of mock-epic is the widespread use of bathos, or anticlimax. (v) The main purpose of the mock-epic to poke fun at the tendency of nobility to make trivial matters serious by writing about the people and events in intentionally flowery, overblown language that becomes humorous when simplified. (iv) The use of “deus ex machina” or “ex-machina”. (iii) Most mock epics will begin with an innovation of the Muse (a poetic tradition beginning with Homer) and include other tropes such as supernatural interference in the plot, prolonged battle sequences, lengthy speeches, and formal or highly verbose diction-all of which commonly appear in traditional epic. (ii) Each and every elements of epic are used in mock epic in trivial nature. (i) Mock epic is the imitation of epic but in such a manner that creates humour. The ancient Mock-epic The Battle of the Frog and Mice, a parody of Homer’s Iliad, Jonathan Swift’s Tale of a Tub and Battle of the Books, and Alexander Pope’s Dunciad and The Rape of the Lock, Mack Flecknoe by John Dryden are the finest examples of the Mock-epic. A mocking, ridiculous effect is created when the grandiloquent epic-style and epic- conventions are used for a theme that is essentially trivial and insignificant. A Mock-epic is a small narrative poem in which the machinery and conventions of epic proper are employed in the treatment of trivial themes, and in this way, it becomes a parody or burlesque of the epic.
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